benskid:

Know where you stand.

(Source: fer1972)

Marry your best friend. I do not say that lightly. Really, truly find the strongest, happiest friendship in the person you fall in love with. Someone who speaks highly of you. Someone you can laugh with. The kind of laughs that make your belly ache, and your nose snort. The embarrassing, earnest, healing kind of laughs. Wit is important. Life is too short not to love someone who lets you be a fool with them. Make sure they are somebody who lets you cry, too. Despair will come. Find someone that you want to be there with you through those times. Most importantly, marry the one that makes passion, love, and madness combine and course through you. A love that will never dilute - even when the waters get deep, and dark.
aseaofquotes:

Charlotte Bronte, Villette

aseaofquotes:

Charlotte Bronte, Villette

  

cestlavieparis:

Bon Iver - Holocene

(Source: limitlessplaylist)

(Source: 40licks)

(Source: imjust-a-girl)

comeandbreakmyheart:

katiebbrennan:

elkane:

Jack Dawson… Penniless artist who wins a ticket onto Titanic in 1912, attends a first class dinner, develops a taste for the finer things in life, pockets the Heart of the Ocean, survives the sinking, pawns the diamond, spends the following ten years building his wealth and in 1922 moves to West Egg as Jay Gatsby… Millionaire with a shady past and fear of swimming pools.

IT ALL MAKES SENSE NOW!!!!!

Inception.

comeandbreakmyheart:

katiebbrennan:

elkane:

Jack Dawson… Penniless artist who wins a ticket onto Titanic in 1912, attends a first class dinner, develops a taste for the finer things in life, pockets the Heart of the Ocean, survives the sinking, pawns the diamond, spends the following ten years building his wealth and in 1922 moves to West Egg as Jay Gatsby… Millionaire with a shady past and fear of swimming pools.

IT ALL MAKES SENSE NOW!!!!!

Inception.

expose-the-light:

Back to Light by Caleb Charland 

shoulderblades:

palace of tears, nelly agassi, 2002

at the center of the exhibition space stands a young woman, wearing a simple skin-colored dress; hundreds of strips made of similar fabric are suspended from various points on the four walls surrounding her. some trail on the floor, reaching her feet, others look as though they are already, somehow, connected to her dress. she bends, picks up a strip of fabric from the floor, sews it onto her dress, and so on and so forth. strip after strip, hour in hour out, in a cyclical, sequential act, until no more fabric strips remain on the floor, and she appears inseparably connected to the walls of the exhibition space.

shoulderblades:

palace of tears, nelly agassi, 2002

at the center of the exhibition space stands a young woman, wearing a simple skin-colored dress; hundreds of strips made of similar fabric are suspended from various points on the four walls surrounding her. some trail on the floor, reaching her feet, others look as though they are already, somehow, connected to her dress. she bends, picks up a strip of fabric from the floor, sews it onto her dress, and so on and so forth. strip after strip, hour in hour out, in a cyclical, sequential act, until no more fabric strips remain on the floor, and she appears inseparably connected to the walls of the exhibition space.

black-white-reflections:

Berlin Kiss, 1996 Harry Benson

black-white-reflections:

Berlin Kiss, 1996 Harry Benson

…throw roses into the abyss and say: ‘here is my thanks to the monster who didn’t succeed in swallowing me alive.’